Book Review:: Wild Dark Shore | Charlotte McConaghy

A few years ago I was in a phase of absolutely inhaling books for a minute there. Most of what I read then is now a blur, but one book among them stands out. I still think of it often: Migrations, by Charlotte McConaghy. When I saw she has a new release, I jumped at the chance to read it early, and I’m so grateful to have received an early copy through the publisher and netgalley. If there is one thing I know to be true about her works, it’s that you can count on her for an interesting, intelligent work that includes fascinating scientific facts that are woven into the story so well they become unforgettable. Oh yeah, and the stories are compelling as hell, too.

Wild Dark Shore by Charlotte McConaghy Book Cover

In Wild Dark Shore the body of a woman washes up on a tiny island called Shearwater far off the southern coast of Australia – closest to Antartica. There she is rescued by the only living souls on the island: a father and his three children. The only other occupants of the island are an abandoned research facility, and a seed bank the rising seas are threatening to drown.

This novel is shrouded in secrecy. The family has secrets, the woman has secrets, and the eerie island itself has secrets. As the woman, Rowan, gets to know the family, the lines of secrecy start to blur, and everything she thought she knew, even the deepest truths of her own character, turn out to be malleable.

I think the closest description I can come up with to describe the genre of this book is a literary thriller. It is moody and dark and mysterious and there is always a sense of impending doom. The island itself is out to get them in a way, between the freezing temperatures, the violent seas, the frequent storms, and the rocky terrain, anything at all could happen. And it has. The island is known for its ghosts, and Rowan is there to find one of them.

The characterization of this novel is wonderful. Each of them is interesting in their own right, and whatever it is that makes them most unique adds something to the story. Things happen the way they do because of the personalities on the island. I like that we have a middle-aged woman who’s been tossed around by the world a little bit, alone, but strong, as the focus of the narrative. It’s an important perspective and I feel like I don’t see it enough.

The writing, too, is gorgeous. Bleak and beautiful. It was something that stood out to me about Migrations as well, her style is very world-weary, but there is always that little spark of hope to keep you going.

The version I read was the audiobook, and the voice actors did a wonderful job. There were multiple voices for the multiple POVs, and each of them seemed to match the characters very well.

Like Migrations, I think Wild Dark Shore is a book that is going to stick with me for a long time. It is haunting and lovely and sometimes disturbing but ultimately about survival and the lengths we’ll go to accomplish it for ourselves and the ones we love.

Note:: I received an early copy of this book from the publisher through netgalley in exchange for an honest review. All opinions are my own.

Details

Title:: Wild Dark Shore
Author:: Charlotte McConaghy
Genre:: Literary Thriller
Publisher:: Flatiron Books
Length:: 320 pages
Audio Length:: 9h 35m
Audiobook Narrator:: Cooper Mortlock, Katherine Littrell, Saskia Maarleveld, Steve West
Audiobook Publisher:: Macmillan Audio
Published:: March 4th, 2025
The Litertarian Rating:: 5-Stars



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A Sea of Unspoken Things | Adrienne Young
Every Moment Since | Marybeth Mayhew Whalen
The Heiress | Rachel Hawkins

Book Review:: When We Grow Up | Angelica Baker

Looking for a book that hits on every hyper-zennial political and culture topic there is without actually giving any substance to any of it?

Man, I hate writing negative reviews, but this one was just.not.it.
I will give the two major trigger warnings for the book here so you don’t have to read through the rest: miscarriage & extra-marital affairs.

When We Grow Up by Angelica Baker Book Cover

The premise of When We Grow Up is a group of friends from childhood go on a vacation together just before turning thirty.

I was expecting it to be an exploration of deep humanity and how we grow and change and how things in our lives that seemed so foundational just don’t make sense anymore. Instead we have a whiny narrator, Clare, who has major self-esteem issues and a group of friends who don’t even like each other all that much (past or present).

Clare is floundering. She doesn’t seem confident in any of the choices she’s made in her life. She also doesn’t seem close to any of these friends. It’s a paradox that they know one another more deeply than anyone because of how much shame and humiliation they witnessed in each other growing up (inevitable in middle school), but they also know hardly anything about each other as an adult. They claim they’re so close, but they almost never talk about anything personal. Everything is so damn surface level. Then when they finally do, it’s like they could be talking about literally anyone.

I only know Clare by the choices she makes in the novel, and how self-critical she is. I don’t really know a damn thing about her character. That’s a problem.

I didn’t like Jessie, the only other girl in the group (why are there so many girls on the cover?), and the boys didn’t have enough personality to even tell who is who until far too late in the novel. There was a black one and a gay one, and I thought they were the same person for most of the book. We knew who Liam was because Clare is having an affair with him, which also irks me because she didn’t seem to even know why, beginning, middle, or end. (I’m not even counting this as a spoiler since it is alluded to in the blurb).

The biggest problem was I didn’t care. There was nothing interesting about the book except the first chapter. Their vacation in Hawai’i happens to coincide with the false missile alert that went out to everyone on-island in 2018. That happens on page one, and kind of explains the whole book. The characters are completely apathetic, even when they’re warned they’re about to die. This absolutely should have been a short story. It actually would have been an excellent short story.

I wanted to like a book like this. As I read I was hoping that things would shift and the insights would start bringing everything together in some profound way. Nope. Never happened. The only insight here is that Clare is unhappy and kind of judgy. In some ways it kind of felt disparaging toward the whole generation, which, for context, I am the same age as these characters. In 2018 I was turning 30.

(spoiler)
Near the end, Jessie kind of confronts Clare by telling her being a boy’s girl is essentially a fucked-up thing to be.

Ahem.

Like I said, this book was not for me.

Note:: I received an early copy of this book from the publisher through netgalley in exchange for an honest review. All opinions are my own.

Details

Title:: When We Grow Up
Author:: Angelica Baker
Genre:: Contemporary Fiction
Publisher:: Flatiron Books
Length:: 288 pages
Audio Length:: 9h 53m
Audiobook Narrator:: Imani Jade Powers
Audiobook Publisher:: Macmillan Audio
Published:: February 25th, 2025
The Litertarian Rating:: 2-Stars



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Book Review:: Beautiful Ugly | Alice Feeney

What is it with tiny little Scottish islands?

Grady Green, bestselling author, is struggling to work after the disappearance of his wife Abby. Finally at a breaking point, his agent sends him off to a remote Scottish island, where another famous author used to live, to pound out his next great work. He’s not in a good mental place, and the island and its inhabitants are more than a little strange.

This is a true psychological thriller. Grady is at the end of his wits over what happened to his wife, literally. He never sleeps, he’s drinking far too much, and when he’s given a hallucinogenic tea on the island, we can’t tell what is real and what isn’t. He sees his wife’s face everywhere, and the red jacket she was last seen with. But every time, he blinks and he realizes his error. His mind is playing tricks on him, and he’s about as unreliable a narrator as they come.

This story doesn’t have a lot of action, but it keeps you on the edge of your seat. There are mysteries on the island that he’s sure he’s not imagining. It’s a strange place, objectively. There are no birds there, for example. No phones, and an unreliable ferry is the only way on or off the island.

Even if he wanted to leave, it’s not that simple.

I loved it. I’ve never read a book by Alice Feeney before this, but based on Beautiful Ugly, she really knows what she’s doing. It has a similar tension to a book like The Midnight Feast by Lucy Foley. Twisted and sinister, but on another face seemingly pretty innocent. Brilliant. Captivating. Beautiful, and Ugly.

Note:: I received the audiobook version of this book for free via the publisher and netgalley in exchange for an honest review. All opinions are my own. (And the audiobook narrators did a fantastic job, as well!)

Details

Title:: Beautiful Ugly
Author:: Alice Feeney
Genre:: Psychological Thriller
Publisher:: Flatiron Books
Length:: 320 pages
Audio Length:: 9h 19m
Audiobook Narrator:: Richard Armitage, Tuppence Middleton
Audiobook Publisher:: Macmillan Audio
Published:: January 14th, 2025
The Litertarian Rating:: 5-Stars

Linky Links!!

Goodreads
Author Website
Amazon Affiliate Links
[Hardcover] [eBook] [Audible]

If you liked this book, check out…

The Midnight Feast | Lucy Foley
Wrong Place Wrong Time | Gillian McAllister
The Truth About the Devlins | Lisa Scottoline

Book Review:: The Familiar | Leigh Bardugo

The Familiar is a sweeping historical fantasy novel of survival, deception, resourcefulness, cunning, and resilience.

The Familiar by Leigh Bardugo Book Cover, Old Medieval European Sleeve holding a chain with a scorpion peeking out from under it

Luzia has a gift for magic. She sings the songs of her ancestors, and God, or something like it, answers. It’s little things that help her in her daily life as a scullery maid: multiplying beans, mending small tears, or restoring burnt loaves of bread. Harmless things. Until her mistress begins to suspect her and devises a plan to use her magic to win friends and favor. Word spreads quickly of the maid who can wield magics, and soon the great Victor de Paredes becomes her patron for a contest to become the King’s champion. Politics are powerful, and everyone, even the greatest men in the land, are beholden to the whims of the King. Even Victor. But he’s feeling lucky, and Luzia’s gifts are real. Paredes sends Guillen Santangel to foster Luzia’s talents, to teach her to harness and hone them into something the King cannot deny. As the contest progresses, the stakes ratchet ever higher, and instead of just winning the King’s favor, it becomes clear her own fate is not the only thing on the line in this contest.

The setting is 16th century Spain, in the throes of the Inquisition, where heretics are being persecuted and often burned. Luzia’s parents are both dead, and her ambitious aunt is the only family she has left. Unlike most women of her rank, Luzia can read and write, which makes her existence as a servant even more droll. She wishes for finer things, but also knows there is danger in the spotlight, especially in times like these. She is a strong female lead who knows when to pick her battles, and ultimately creates her own path forward despite the advice flying at her from many directions.

The characters in this book are something special. Each of them are unique in their own authentic way. They are each driven by their own selfish motivations, which I feel is a very difficult thing to pull off and their stories follow through to endings they (mostly) deserved in a tingle-inducing finale.

I listened to this as an audiobook narrated by Lauren Fortgang and man, did she do an incredible job. I found it so immersive to hear all the words I might’ve otherwise not known how to pronounce perfectly spoken so beautifully and naturally. Sometimes a narrator really adds to the reading experience, and I feel like The Familiar certainly falls into that category.

It may not be a page-turner, pacing-wise, but if you go into it with patience, Leigh Bardugo will weave you a story that is captivating, rewarding, and really quite romantic.

If you are a fan of V.E. Schwab, specifically The Invisible Life of Addie LaRue, I feel like you will certainly find value in this book. I found myself thinking of Addie’s story frequently while reading. I might even recommend this for people who really loved the Outlander series. The Familiar is not as spicy, but there is something similar about the complex characters woven within a historical context. This is the only thing I’ve read so far by this author, and I’m looking forward to reading Six of Crows now more than ever!

Details

Title:: The Familiar
Author:: Leigh Bardugo
Genre:: Historical Fantasy
Publisher:: Flatiron Books
Length:: 387 pages
Audio Length:: 12h 57m
Audiobook Narrator:: Lauren Fortgang
Audiobook Publisher:: Macmillan Audio
Published:: April 9th, 2024
The Litertarian Rating:: 5-Stars

Linky Links!!

Goodreads
Author Website
Amazon Affiliate Links
[Hardcover] [Paperback] [eBook] [Audible]

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Heartless Hunter | Kristen Ciccarelli

Book Review:: If We Were Villains | M.L. Rio

What is more important, that Cesear is assassinated or that he is assassinated by his intimate friends? … ‘That,’ Frederick said, ‘is where the tragedy is.’

If We Were Villains M. L. Rio Book Cover

After years in prison, inmate Oliver Marks is released on parole. Detective Colborne, the man in charge of the crime that put Oliver behind bars, is no longer in active duty. Lingering questions over the case has him approaching Oliver for the truth of what happened all those years ago. Being the Shakespearean thespian he and his friends are, he recounts the tale in all its detail and subtlety.

At Dellecher, an elite arts college, Oliver and his friends are in their fourth year of theater studies, where they perform endless Shakespearean plays. The friend group is very close-knit, and each of them play their respective roles dutifully on stage, and off. But things are changing, and after a strangely intense performance, one of them ends up dead.

The students in this theater program are dedicated to their craft, most certainly to a fault. They read deep into the verse, and quote it, frankly, constantly. I’ve never wanted to do a deep-dive into Shakespeare’s cannon more than I did while reading this book, and perhaps those with more background on the plays in question would have understood the deeper levels of meaning I’m convinced were there for a more astute reader. As it was, Oliver as the narrator did a good job of explaining enough that even a novice reader like me was able to follow the subtext of the scenes presented well enough. But these kids sure have a way with language, and as the author, M.L. Rio impressed me with such an expansive, luxurious writing style. It made me feel smarter and vastly ignorant all at once (ha).

One thing I’m sure Colborne will never understand is that I need language to live, like food-lexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.

Oliver is a great supporting actor, and his place in the friend group mirrors that role. It is a great POV from which to experience the story. He sees the others for who they are without his own ego getting in the way, and is profoundly loyal to them, and is entirely too trusting of them, as it turns out. His character did not have a front row seat to the tragedy, and has to piece together what happened himself as the cracks in the story begin to show.

Did you love Donna Tartt’s The Secret History? Did you like it but wished it had less Latin & philosophy and more Shakespearean verse? Then this was written for you. The gist of the story was very similar, with mirrored themes and pacing in both plot and language. To me, this is essentially a re-telling of The Secret History, although having read it doesn’t give anything away of this one. But if you loved it, you’ll love this, and vice versa.

This Gothic mystery is not for the casual reader. The prose is dense and poetic and requires concentration and patience to get through (listening to it as an audiobook might help if you’re finding it too tedious). But if you’re a seasonal reader and like to lean into the vibes of autumn, this is a perfect companion to the chilly, snow-crusted, dim evenings of October.

Details

Title:: If We Were Villains
Author:: M.L. Rio
Genre:: Mystery/Thriller
Publisher:: Flatiron Books
Length:: 354 pages
Audio Length:: 12h 50m
Audiobook Narrator:: Robert Petkoff
Audiobook Publisher:: Macmillan Audio
Published:: April 11th, 2017
The Litertarian Rating:: 3-Stars

Linky Links!!

Goodreads
Author Website
Amazon Affiliate Links
[Hardcover] [Paperback] [eBook] [Audible]

If you liked this book, check out…

Wrong Place Wrong Time | Gillian McAllister
Every Moment Since | Marybeth Mayhew Whalen