This book is my cup of tea. Like drinking a strong cup of tea at the exact right temperature, really. It warmed me up from the inside and put a contented smile on my face while I sat back in pure comfort to read. Bliss.
I’ll Come to You is a true family saga, though perhaps a little short for such a label. This novel encapsulates the space of a year for one extended family, beginning with the news of a new baby near Christmas in the mid-nineties. We hear from the mother, the father, grandparents, and siblings as they come at the recent events through their own lenses. Each of them has a history and their own troubles.
The vignettes that make up the book were each a captivating and intriguing piece of the story. Most are only a snapshot in time, perhaps lasting a few hours, but with thoughts and implications that are outside of time, existing mostly within the character’s personal history and reflections upon their own wisdom.
It is one deeply human moment after another, and I’m sad it wasn’t longer. I hope you’ll read it. I know this won’t be the last time I do.
Note:: I received an audiobook copy of this book through the publisher and netgalley in exchange for an honest review.
Details
Title:: I’ll Come to You Author:: Rebecca Kauffman Genre:: Literary Fiction Publisher:: Counterpoint LLC Length::224 pages Audio Length::6h 12m Audiobook Narrator:: Elisabeth Rodgers Audiobook Publisher:: Recorded Books Published:: January 7th, 2025 The Litertarian Rating:: 5-Stars
In the years between the Great Wars, two unexpected things happen on a remote Welsh island: a whale washes ashore, and two English stenographers arrive. For a young girl who knows nothing outside of her island, it seems like the chance of a lifetime.
Manod is an island native, along with her sister and her father. Life on the island is hard, but the people there are not afraid of hard work and difficult conditions. This is what the visiting ethnographers seem to be most interested in, and Manod agrees to help them understand her island and her people.
This is a beautiful, concise novel about the converging of cultures, exploitation, and the possibility of The Unknown.
I thought it was a very powerful story about a young woman coming into herself and deciding what it is she wants from life, sometimes trusting where she naught ought, and helping others where she’s able.
Elizabeth O’Connor comes from a background in short stories, and I feel like it shows, in the best way. It is written in a way that is clear and detailed, while also using symbolism and allusion to keep some things open to interpretation. This is her debut novel and I can’t wait to see what she comes out with next!
Details
Title:: Whale Fall Author:: Elizabeth O’Connor Genre:: Historical Literary Fiction Publisher:: Pantheon Length::224 pages Audio Length::3h 50m Audiobook Narrator:: Dyfrig Morris, Gabrielle Glaister, Gwyneth Keyworth, Jot Davies, & Nick Griffiths Audiobook Publisher:: Random House Audio Published:: May 7th, 2024 The Litertarian Rating:: 5-Stars
There is something magical about finding the right book at the right time. When something about the state of your life at the moment resonates deeply with the book you’ve chosen to read at that time. It might not be something that blows everyone away with its grandeur, but it touches on some deep-rooted truth in you.
Emma is so focused on her career as an underappreciated literary agent that she’s been skimming past many other aspects of her life: her kids, her friends, her dog, and her husband. It’s their anniversary, and for the first time ever, she’s forgotten to write him their traditional anniversary letter. It turns out to be a pretty typical day for her, rushing past everything and everyone, until a catastrophic event happens just before bed and changes everything. The next day she wakes up and lives it again. And again. Maybe she has the opportunity to change things – to avert the catastrophe. If only she can find the way.
As a thirty-something working mama who’s been married 10+ years, this book hit me hard. It’s about seeing what’s right in front of you. Not taking anything for granted. Slowing down. We get so caught up in the things we have to do (make money), that we neglect the things that are actually the most important to us. Why is it so easy to get our priorities mixed up?
I think the part that connected so deeply is how realistic it seemed. Yeah, obviously she hasn’t connected to her friends in awhile. Yeah, her kid’s problems are probably going to be old news by the weekend at the latest. Yeah, she has important shit to do at work she needs to concentrate on and that take priority. Yeah, her husband is always there to help pick up any slack.
Ooof.
I cried like a little baby. A sobbing, inconsolable baby.
I will read this book many times in the future, but I’m really not sure if it will have the same effect on me when I read it again. I hope it does. And I hope you read it too. This is one of my favorites of the year!
Details
Title:: Maybe Next Time Author:: Cesca Major Genre:: Magical Realism Publisher:: William Morrow Length::384 pages Audio Length::8h 38m Audiobook Narrator:: Clare Corbett Audiobook Publisher:: Harper Audio Published:: March 7th, 2023 The Litertarian Rating:: 5-Stars
Libby Lost and Found is an absolute treasure. The originality crackles on the first page. The themes resound toward our deepest fears and offer hope through profound pain. The prose stuns in both its beauty and wisdom. The whole thing is a parallelogram that had me wondering for a while if everything I was reading was a jaunt into madness or relatively reliable which left me nearly speechless. But not completely, lucky for you.
Libby is a writer. But not just any writer. She writes The Falling Children series-the most popular franchise in all of history (bigger even than HP). She’s struggling to write the next book so much she sees a doctor and gets an early diagnosis of dementia. It leaves her already anxiety prone personality in shambles. She’s missed so many deadlines the fans are feral. She’s desperate for some way to Save the Children (who she’s written into a forest from which there is no escape), so she reaches out to her ‘biggest fan’ for help finishing the book. The thing is, no one knows she is F.T. Goldhero, and it’s vital she keeps her real identity a secret.
Maybe my favorite part of the book are the voices. Libby and her biggest fan Peanut are our two narrators, and each one of them has such a strong and pigeon-holed voice. Peanut is a series obsessed child with unique family circumstances, and Libby is quickly losing trust in her own mind. Their voices covered everything in an almost otherworldly sheen that was so interesting and beautiful.
Then we can talk about world of The Falling Children. Wow! The creativity it takes to come up with a secondary world like that for the sake of telling another story is incredible. The concept, the personalities, the ‘magic’…I was blown away.
So don’t be a bone grocer – go get this book!
Note:: I received this title as an advanced readers copy from netgalley and the publisher. Then I pre-ordered a copy for myself 🙂
Details
Title:: Libby Lost and Found Author:: Stephanie Booth Genre:: Women’s Fiction Publisher:: Sourcebooks Landmark Length::400 pages Audio Length::10h 58m Audiobook Narrator:: Mia Barron Audiobook Publisher:: Recorded Books Published:: October 15, 2024 The Litertarian Rating:: 5-Stars
The thing about life is we can’t see very far ahead of ourselves. We don’t know what will happen or who we’ll meet or how we’ll feel. All we have is potential. All this potential we hoard and cling to like it will be the thing to carry us, ultimately, to happiness, to fulfillment, to stability. The real truth is that life is what you make of it, and if you’re not careful, you’ll never really live it at all.
George has a Holden Caufield complex. Or, at least the same one as Holden. He’s stuck in his head far too much, he has grandiose ideas and passes judgment on everyone around him like he’ll win money for it. Except he doesn’t. He never has any money because he won’t get off his ass to do anything unless he convinces himself it has some sort of higher meaning unless and until he absolutely has to. And when he does have to do something, he will do anything to put it off. When he gets the slightest bit uncomfortable, he will reject whatever thing has done the wrongdoing or come back at it with teeth bared, even when he knows he’s wrong. His whole life is an identity crisis, and I’m not even sure he knows it.
This book is almost stream of consciousness, in the third person. We follow George through his mediocre life, glancing moments here and there — sometimes, okay, often, quite mundane moments. He has some formative experiences as a kid, he gets a philosophy degree, he flounders, and he doesn’t stop floundering. He lets others take care of him like he doesn’t understand it costs them something to do so. He has a longtime on and off again girlfriend called Jenny who he feels no passion for and is far too patient with him (girl, you deserve so much better). He tries to write a book. He sometimes gets the most random jobs. He often knows he is insufferable.
I know it might sound like I didn’t like this book very much, but that’s untrue. This is the type of book where you get out what you put into it. If you don’t come at it with a certain level of discernment as a reader, you probably won’t like it. George isn’t all that likable, but things he thinks and experiences, and things he encounters through the people he meets have lessons to teach us, and opportunities for us (as readers) to learn something about how we perceive the world, whether we agree with George or oppose him. There are plenty of takeaways pressed into these pages.
The writing is excellent. I love the level of detail we’re privy to, coloring George’s experiences. Like Holden Caufield, George is critiquing everyone and everything around him, while playing himself cool. It’s a very specific vibe, and Greathead nailed it. The audiobook narrator, Blair Baker, did an excellent job, too.
I was provided an advanced readers copy of this novel to read from netgalley & the publisher in exchange for an honest review. On netgalley this is categorized under both Literary fiction and humor/satire. I kept waiting for something funny to happen (not that George isn’t funny), but if this book belongs in that category at all, it is certainly on the satire side. It didn’t really come off that way to me.
Choose this book if you are a fan of literary fiction. If you like the structure of Catcher & the Rye and are interested in a modern twist on its main character. I think I’ll be carrying George around with me for a while.
Details
Title:: The Book of George Author:: Kate Greathead Genre:: Literary Fiction Publisher:: Henry Holt & Co. Length::272 pages Audio Length::9h 17m Audiobook Narrator:: Blair Baker Audiobook Publisher:: Macmillan Audio Published:: October 8th, 2024 The Litertarian Rating:: 4-Stars
What is more important, that Cesear is assassinated or that he is assassinated by his intimate friends? … ‘That,’ Frederick said, ‘is where the tragedy is.’
After years in prison, inmate Oliver Marks is released on parole. Detective Colborne, the man in charge of the crime that put Oliver behind bars, is no longer in active duty. Lingering questions over the case has him approaching Oliver for the truth of what happened all those years ago. Being the Shakespearean thespian he and his friends are, he recounts the tale in all its detail and subtlety.
At Dellecher, an elite arts college, Oliver and his friends are in their fourth year of theater studies, where they perform endless Shakespearean plays. The friend group is very close-knit, and each of them play their respective roles dutifully on stage, and off. But things are changing, and after a strangely intense performance, one of them ends up dead.
The students in this theater program are dedicated to their craft, most certainly to a fault. They read deep into the verse, and quote it, frankly, constantly. I’ve never wanted to do a deep-dive into Shakespeare’s cannon more than I did while reading this book, and perhaps those with more background on the plays in question would have understood the deeper levels of meaning I’m convinced were there for a more astute reader. As it was, Oliver as the narrator did a good job of explaining enough that even a novice reader like me was able to follow the subtext of the scenes presented well enough. But these kids sure have a way with language, and as the author, M.L. Rio impressed me with such an expansive, luxurious writing style. It made me feel smarter and vastly ignorant all at once (ha).
One thing I’m sure Colborne will never understand is that I need language to live, like food-lexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.
Oliver is a great supporting actor, and his place in the friend group mirrors that role. It is a great POV from which to experience the story. He sees the others for who they are without his own ego getting in the way, and is profoundly loyal to them, and is entirely too trusting of them, as it turns out. His character did not have a front row seat to the tragedy, and has to piece together what happened himself as the cracks in the story begin to show.
Did you love Donna Tartt’s The Secret History? Did you like it but wished it had less Latin & philosophy and more Shakespearean verse? Then this was written for you. The gist of the story was very similar, with mirrored themes and pacing in both plot and language. To me, this is essentially a re-telling of The Secret History, although having read it doesn’t give anything away of this one. But if you loved it, you’ll love this, and vice versa.
This Gothic mystery is not for the casual reader. The prose is dense and poetic and requires concentration and patience to get through (listening to it as an audiobook might help if you’re finding it too tedious). But if you’re a seasonal reader and like to lean into the vibes of autumn, this is a perfect companion to the chilly, snow-crusted, dim evenings of October.
Details
Title:: If We Were Villains Author:: M.L. Rio Genre:: Mystery/Thriller Publisher:: Flatiron Books Length:: 354 pages Audio Length::12h 50m Audiobook Narrator:: Robert Petkoff Audiobook Publisher:: Macmillan Audio Published:: April 11th, 2017 The Litertarian Rating:: 3-Stars
Where have I been all my life where I haven’t experienced the work of Hugo Award winning author Nghi Vo? By happy circumstance, I’ve been given the opportunity to review her latest book before its release, The City in Glass. Now I will take it upon my own responsibility to make sure you don’t miss out on this unique and riveting story.
This is a book unlike anything I have read. It is poetry and philosophy. Biology and sociology. It is Anthropology and metaphysics. It captures at once the fragility of a human life, and its unique, irreplaceable beauty. Perhaps most of all it explores the most potent and universal human desire: to be remembered.
Azril is an ancient city that has grown and developed through the ages. It has done so by the careful and loving influence of the demon Vitrine, who records its most special figureheads, events, and traditions in the book she stores in the glass case within herself. When a group of vengeful angels comes to destroy what she most loves, she is almost destroyed in her grief and curses the angel nearest her before giving in to her despair. Unwilling to give up the place she loves, she sifts through the wreckage slowly and methodically and coaxes the rivers to return to the once prosperous land. The angel she cursed is ostracized from his own kind so long as he bears the mark she’s given him, and she refuses to remove it, so he keeps close and watches as Vitrine scrambles to recreate that which was once so precious to her. Decades pass. Then centuries. More.
Gazing upon the Earth from the astral perspective offers such value to consider. When we realize as humans how fleeting we are, does it not humble us? Does it not force us into gratitude for the present moment, every moment, we happen to be granted?
I received a copy to listen to for free, and before I was halfway done with it, I had pre-ordered a hardcover copy. This is the kind of book that begs to be read with regularity. I have no doubt in my mind that revisiting these pages will reveal new and fascinating insights each and every time I turn them.
Details
Title:: The City in Glass Author:: Nghi Vo Genre:: Fantasy Publisher:: Tordotcom Length::224 pages Audio Length::6h 5m Audiobook Narrator:: Susan Dalian Audiobook Publisher:: Macmillan Audio Published:: October 1st, 2024 The Litertarian Rating:: 5-Stars
Sometimes when it feels like life is falling apart, it’s really the opportunity for a new beginning.
That’s the case for Marina, when she is disillusioned by her life in America, and travels home to the island of Pag in Croatia. Her family’s ancestral cheese factory, Sirana, is in trouble. Her marriage is in trouble. She’s suffering intense trauma from losing a baby in her second trimester. She’s at rock bottom and wants to feel more settled. She wants to feel like she’s home. But when her father sent her away during a terrible war as a refugee to New York when she was a young woman, her life was split in two. Now she doesn’t feel whole in her old life or her new one, and she’s struggling to decide if the best path is the one she left behind, or one that is still waiting to be uncovered ahead of her.
I learned so much in this book: lots of history about Croatia, so much detail about cheesemaking and the whole World of Cheese. It was a delight to read. And compelling! I came in with almost zero context for both, and it rapt my attention all the way through. I guess you could consider me a ‘typical middle American’. We eat cheddar, mozzarella, colby jack/pepper jack, provolone, parmesan, maybe an occasional gouda. Cow’s milk cheeses. Marina and her family make cheese from sheep’s milk, which has a distinct flavor due to the amount of herbs that grow on the island. It sounds fascinating. I’d like to branch out and try more types of cheese, especially old world cheeses. It’s a whole thing. This book did that to me.
Marina’s story is difficult to swallow sometimes. If you’re in the middle of fertility struggles, this one might be a hard read for you, but it may also be healing to read of someone else in a similar position. She has to come to terms with a reality she never thought she’d experience.
I appreciate that this is not a romance. This is the story of a woman coming into her own. There are men in this book. There are relationships to navigate. But this is about The Cheesemaker’s Daughter. I have to say, I grew tired of novels being named The ___ Daughter in the 2000s when everything had a similar title, but this one fits so well. She is the daughter of Nicola, the famed cheesemaker of Pag, and she embraces that.
I am so glad I had the opportunity to listen to this book. I had planned to buy the paperback upon release, but then I was chosen for an advanced listening copy from netgalley and the publisher – Sophie Amoss, the narrator, did such a great job with the foreign words and so many accents to juggle. Croatian, French, English, and even different dialects. If you’re able to, I recommend listening to this one!
If you like books that are a little somber in tone with a message ultimately of hope, I think you’ll enjoy this book.
Details
Title:: The Cheesemaker’s Daughter Author:: Kristin Vukovic Genre:: Women’s Fiction Publisher:: Regalo Press Length::272 pages Audio Length::10h 7m Audiobook Narrator:: Sophie Amoss Audiobook Publisher:: RB Media Published:: August 6th, 2024 The Litertarian Rating:: 5-Stars
Butter is a Japanese literary fiction novel hinged upon the premise of a journalist investigating the story of a renowned serial killer – a woman accused of murdering a string of lovers by preparing them tainted food. As the investigation unfolds, the journalist, Rika, begins to notice and analyze the world around her with apt attention and nuance and discovers as much about herself in the process as she does about the woman she’s investigating.
In the beginning, Rika is having trouble getting Kajii, the accused, to grant her an interview. A friend suggests asking Kajii for a recipe, knowing women tend to share more than necessary when such a question is asked. It works, and Rika finds herself sitting with Kajii discussing her favorite recipes – how to prepare them, and how to enjoy them. Since Kajii is unable to enjoy whatever food she likes in her detainment, she lives vicariously through Rika’s experiences of her favorite dishes. One recipe at a time, Rika carefully pieces together Kajii’s story in hopes of writing an exclusive story that will propel her career to new heights.
That’s what happens, but that’s not what this book is about. This book is an exploration of societal expectations, especially on women, and how those expectations inform the thinking and actions of those women, and in turn, everyone around them – and society itself.
Japanese women are required to be self-denying, hard-working and ascetic, and in the same breath to be feminine, soft and caring towards men.
It’s about judgment and comparison in all the major categories – weight & body, gender roles in relationships & the home, careers or the sacrifice of career in favor of family – and little ones too. Food is used as metaphor again and again as Rika explores new dishes and makes observations of herself and those around her. Simple ingredients, tedious preparations, presentation. Enjoying food in the first place as opposed to simply consuming it as a means to an end.
Speaking of the food: I have never read descriptions of food and eating it as I have in this book. I mean, pornographic levels of description. It’s incredible. I feel like I’ve been eating wrong my whole life after reading about how these characters care about food. I think that alone is enough to recommend this book. It is poetry, truly.
“I feel like I understand better now that I’ve started cooking myself. Cleaning and cooking are much more rock and roll than I thought. What you need above all is strength. A fighting spirit that can withstand the tedium of everyday life without being blunted by it.”
This novel is carefully crafted to take Rika on a journey of self-actualization, learning lessons that are important for us all through her strange relationship with a disturbed woman. What is real? What are her biases? Can she be trusted?
I really enjoyed the experience of reading this novel. With translated works it can be difficult to tell if the cadence comes from the author, the one translating, or both, but whatever the case, Butter is as decadent in its style as it is in its descriptions of food. It flows well and doesn’t feel detached or stilted the way some translated works can. It was a pleasure to read, and easy to get lost in.
I found myself craving a stronger sense of suspense and tension as I read. With a serial killer premise, I did hope for some kind of thriller vibe, but if it was there, it was quite subtle. However, I cannot fault the tagline either. This novel is about food and murder.
I would recommend this book for feminists and foodies alike. Also, this is apparently based on the true story of “The Konkatsu Killer”. I’m not sure how I feel about that. I think I’m going to have to do some googling…
Details
Title:: Butter: A Novel of Food & Murder Author:: Asako Yuzuki Genre:: Contemporary Fiction Publisher:: Ecco Length:: 464 pages Audio Length::17h 12m Audiobook Narrator:: Hanako Footman Audiobook Publisher:: Harper Audio Published:: April 16, 2024 The Litertarian Rating:: 4-Stars
Family is the most complex thing there is. The history. The responsibility. The everyday choices and the ones that come once in a lifetime. The mirrored features and gestures. The shared experience, or absence from them. All of these things cumulate into how we experience family. What are the expectations of being a parent, or a sibling, and what happens when those expectations aren’t met? Are blood ties enough to support relationships, no matter what? And what of marriage vows? Trust, betrayal, forgiveness? What do we owe those we’ve made promises to, and who created us?
I’m probably taking things too far here for an introduction, but Malibu Rising is a phenomenal work of literary fiction that had these very questions running through my head. It is an exploration of family in many forms, and an intriguing family saga that hooked me from page one and still hasn’t let go.
The Riva family has been through a lot. Four siblings, bonded by love through hardship, are now on their way into adulthood. They have two things in common – their famous deadbeat father, and their deep love of surfing. Jay is a professional surfer, Hudson is the photographer who captures all his best shots, Nina is the older sister who got famous modeling on her surfboard, and Kit, the baby, might just be better than any of them at the sport. Every year they throw a party to close out the summer. Anyone who finds out about it can come. Celebrities of all shapes and flavors don’t dare miss it. It’s the talk of the town. But this year the party will leave the siblings changed forever.
Life is messy. In great novels, the mess happens all at the same time in a slow but relentless crescendo that keeps us riveted until the cacophonous finale. Each of the Riva siblings is at a crisis point in their lives, and we’re taken through their family origin story to help us understand how they got to this moment, and why they might be making the choices they make. One sibling is deeply in love with someone he’s not supposed to be, one is falling out of love, one thinks he’s found the one after a single night, and one is having doubts she has the capacity for romantic love at all. Their parents, Mick and June, had an explosive type of love that led to heartbreak when they were both unable to break the patterns of the families before them, leaving wounds and wreckage in a blazing trail behind them.
Taylor Jenkins Reid continues to astound me with her capacity for storytelling. I mean, the details she includes are just incredible. Her omniscient tendency allows her to showcase happenstance from all the interesting angles and explore human nature in all its nonsensical and sometimes beautiful inevitabilities.
I think I loved every single aspect of this story. The experience of reading was a pleasure in itself. Every sentence was interesting. Every facet of each character the author chose to showcase…so interesting. As in, it literally captured my interest. It kind of reminds me of the character of Vida Winter in The Thirteenth Tale by Diane Setterfield, the disillusioned storyteller who isn’t interested in anything that doesn’t serve a story. Like the storyteller in Margaret Atwood’s The Blind Assassin. Crafting story is simple. Just make it interesting. This is how I imagine Taylor Jenkins Reid as she’s sifting through ideas for her stories. She’s on a higher plane of storytelling. She’s a weaver. She’s a curator. She’s a master.
This is the kind of story that begs to be appreciated. It’s not one thing that makes it stand out. It’s all of it together as one thing. One awesome, specific, thing. I hope you read it. But if you don’t like it, don’t tell me. I don’t think I could take it.
Details
Title:: Malibu Rising Author:: Taylor Jenkins Reid Genre:: Contemporary Fiction Publisher:: Ballantine Books Length:: 369 pages Audio Length::11h 5m Audiobook Narrator:: Julia Whelan Audiobook Publisher:: Random House Audio Published:: June 1st, 2021 The Litertarian Rating:: 5-Stars
