Category: Literary fiction

Book Review:: The Book of George | Kate Greathead

The thing about life is we can’t see very far ahead of ourselves. We don’t know what will happen or who we’ll meet or how we’ll feel. All we have is potential. All this potential we hoard and cling to like it will be the thing to carry us, ultimately, to happiness, to fulfillment, to stability. The real truth is that life is what you make of it, and if you’re not careful, you’ll never really live it at all.

The Book of George Kate Greathead Book Cover

George has a Holden Caufield complex. Or, at least the same one as Holden. He’s stuck in his head far too much, he has grandiose ideas and passes judgment on everyone around him like he’ll win money for it. Except he doesn’t. He never has any money because he won’t get off his ass to do anything unless he convinces himself it has some sort of higher meaning unless and until he absolutely has to. And when he does have to do something, he will do anything to put it off. When he gets the slightest bit uncomfortable, he will reject whatever thing has done the wrongdoing or come back at it with teeth bared, even when he knows he’s wrong. His whole life is an identity crisis, and I’m not even sure he knows it.

This book is almost stream of consciousness, in the third person. We follow George through his mediocre life, glancing moments here and there — sometimes, okay, often, quite mundane moments. He has some formative experiences as a kid, he gets a philosophy degree, he flounders, and he doesn’t stop floundering. He lets others take care of him like he doesn’t understand it costs them something to do so. He has a longtime on and off again girlfriend called Jenny who he feels no passion for and is far too patient with him (girl, you deserve so much better). He tries to write a book. He sometimes gets the most random jobs. He often knows he is insufferable.

I know it might sound like I didn’t like this book very much, but that’s untrue. This is the type of book where you get out what you put into it. If you don’t come at it with a certain level of discernment as a reader, you probably won’t like it. George isn’t all that likable, but things he thinks and experiences, and things he encounters through the people he meets have lessons to teach us, and opportunities for us (as readers) to learn something about how we perceive the world, whether we agree with George or oppose him. There are plenty of takeaways pressed into these pages.

The writing is excellent. I love the level of detail we’re privy to, coloring George’s experiences. Like Holden Caufield, George is critiquing everyone and everything around him, while playing himself cool. It’s a very specific vibe, and Greathead nailed it. The audiobook narrator, Blair Baker, did an excellent job, too.

I was provided an advanced readers copy of this novel to read from netgalley & the publisher in exchange for an honest review. On netgalley this is categorized under both Literary fiction and humor/satire. I kept waiting for something funny to happen (not that George isn’t funny), but if this book belongs in that category at all, it is certainly on the satire side. It didn’t really come off that way to me.

Choose this book if you are a fan of literary fiction. If you like the structure of Catcher & the Rye and are interested in a modern twist on its main character. I think I’ll be carrying George around with me for a while.

Details

Title:: The Book of George
Author:: Kate Greathead
Genre:: Literary Fiction
Publisher:: Henry Holt & Co.
Length:: 272 pages
Audio Length:: 9h 17m
Audiobook Narrator:: Blair Baker
Audiobook Publisher:: Macmillan Audio
Published:: October 8th, 2024
The Litertarian Rating:: 4-Stars

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If you liked this book, check out…

Amazing Grace Adams | Fran Littlewood
The Most Fun We Ever Had | Claire Lombardo

Book Review:: If We Were Villains | M.L. Rio

What is more important, that Cesear is assassinated or that he is assassinated by his intimate friends? … ‘That,’ Frederick said, ‘is where the tragedy is.’

If We Were Villains M. L. Rio Book Cover

After years in prison, inmate Oliver Marks is released on parole. Detective Colborne, the man in charge of the crime that put Oliver behind bars, is no longer in active duty. Lingering questions over the case has him approaching Oliver for the truth of what happened all those years ago. Being the Shakespearean thespian he and his friends are, he recounts the tale in all its detail and subtlety.

At Dellecher, an elite arts college, Oliver and his friends are in their fourth year of theater studies, where they perform endless Shakespearean plays. The friend group is very close-knit, and each of them play their respective roles dutifully on stage, and off. But things are changing, and after a strangely intense performance, one of them ends up dead.

The students in this theater program are dedicated to their craft, most certainly to a fault. They read deep into the verse, and quote it, frankly, constantly. I’ve never wanted to do a deep-dive into Shakespeare’s cannon more than I did while reading this book, and perhaps those with more background on the plays in question would have understood the deeper levels of meaning I’m convinced were there for a more astute reader. As it was, Oliver as the narrator did a good job of explaining enough that even a novice reader like me was able to follow the subtext of the scenes presented well enough. But these kids sure have a way with language, and as the author, M.L. Rio impressed me with such an expansive, luxurious writing style. It made me feel smarter and vastly ignorant all at once (ha).

One thing I’m sure Colborne will never understand is that I need language to live, like food-lexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.

Oliver is a great supporting actor, and his place in the friend group mirrors that role. It is a great POV from which to experience the story. He sees the others for who they are without his own ego getting in the way, and is profoundly loyal to them, and is entirely too trusting of them, as it turns out. His character did not have a front row seat to the tragedy, and has to piece together what happened himself as the cracks in the story begin to show.

Did you love Donna Tartt’s The Secret History? Did you like it but wished it had less Latin & philosophy and more Shakespearean verse? Then this was written for you. The gist of the story was very similar, with mirrored themes and pacing in both plot and language. To me, this is essentially a re-telling of The Secret History, although having read it doesn’t give anything away of this one. But if you loved it, you’ll love this, and vice versa.

This Gothic mystery is not for the casual reader. The prose is dense and poetic and requires concentration and patience to get through (listening to it as an audiobook might help if you’re finding it too tedious). But if you’re a seasonal reader and like to lean into the vibes of autumn, this is a perfect companion to the chilly, snow-crusted, dim evenings of October.

Details

Title:: If We Were Villains
Author:: M.L. Rio
Genre:: Mystery/Thriller
Publisher:: Flatiron Books
Length:: 354 pages
Audio Length:: 12h 50m
Audiobook Narrator:: Robert Petkoff
Audiobook Publisher:: Macmillan Audio
Published:: April 11th, 2017
The Litertarian Rating:: 3-Stars

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If you liked this book, check out…

Wrong Place Wrong Time | Gillian McAllister
Every Moment Since | Marybeth Mayhew Whalen

Book Review:: The Cheesemaker’s Daughter | Kristin Vukovic

Sometimes when it feels like life is falling apart, it’s really the opportunity for a new beginning.

The Cheesemaker's Daughter Kristin Vukovic Book Cover

That’s the case for Marina, when she is disillusioned by her life in America, and travels home to the island of Pag in Croatia. Her family’s ancestral cheese factory, Sirana, is in trouble. Her marriage is in trouble. She’s suffering intense trauma from losing a baby in her second trimester. She’s at rock bottom and wants to feel more settled. She wants to feel like she’s home. But when her father sent her away during a terrible war as a refugee to New York when she was a young woman, her life was split in two. Now she doesn’t feel whole in her old life or her new one, and she’s struggling to decide if the best path is the one she left behind, or one that is still waiting to be uncovered ahead of her.

I learned so much in this book: lots of history about Croatia, so much detail about cheesemaking and the whole World of Cheese. It was a delight to read. And compelling! I came in with almost zero context for both, and it rapt my attention all the way through. I guess you could consider me a ‘typical middle American’. We eat cheddar, mozzarella, colby jack/pepper jack, provolone, parmesan, maybe an occasional gouda. Cow’s milk cheeses. Marina and her family make cheese from sheep’s milk, which has a distinct flavor due to the amount of herbs that grow on the island. It sounds fascinating. I’d like to branch out and try more types of cheese, especially old world cheeses. It’s a whole thing. This book did that to me.

Marina’s story is difficult to swallow sometimes. If you’re in the middle of fertility struggles, this one might be a hard read for you, but it may also be healing to read of someone else in a similar position. She has to come to terms with a reality she never thought she’d experience.

I appreciate that this is not a romance. This is the story of a woman coming into her own. There are men in this book. There are relationships to navigate. But this is about The Cheesemaker’s Daughter. I have to say, I grew tired of novels being named The ___ Daughter in the 2000s when everything had a similar title, but this one fits so well. She is the daughter of Nicola, the famed cheesemaker of Pag, and she embraces that.

I am so glad I had the opportunity to listen to this book. I had planned to buy the paperback upon release, but then I was chosen for an advanced listening copy from netgalley and the publisher – Sophie Amoss, the narrator, did such a great job with the foreign words and so many accents to juggle. Croatian, French, English, and even different dialects. If you’re able to, I recommend listening to this one!

If you like books that are a little somber in tone with a message ultimately of hope, I think you’ll enjoy this book.

Details

Title:: The Cheesemaker’s Daughter
Author:: Kristin Vukovic
Genre:: Women’s Fiction
Publisher:: Regalo Press
Length:: 272 pages
Audio Length:: 10h 7m
Audiobook Narrator:: Sophie Amoss
Audiobook Publisher:: RB Media
Published:: August 6th, 2024
The Litertarian Rating:: 5-Stars

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If you liked this book, check out…

Thank You for Listening | Julia Whelan
My (Not So) Perfect Life | Sophie Kinsella

Book Review:: Butter: A Novel of Food & Murder | Asako Yuzuki (Translated by Polly Barton)

Butter is a Japanese literary fiction novel hinged upon the premise of a journalist investigating the story of a renowned serial killer – a woman accused of murdering a string of lovers by preparing them tainted food. As the investigation unfolds, the journalist, Rika, begins to notice and analyze the world around her with apt attention and nuance and discovers as much about herself in the process as she does about the woman she’s investigating.

Butter: A Novel of Food & Murder Asako Yuzuki Book Cover

In the beginning, Rika is having trouble getting Kajii, the accused, to grant her an interview. A friend suggests asking Kajii for a recipe, knowing women tend to share more than necessary when such a question is asked. It works, and Rika finds herself sitting with Kajii discussing her favorite recipes – how to prepare them, and how to enjoy them. Since Kajii is unable to enjoy whatever food she likes in her detainment, she lives vicariously through Rika’s experiences of her favorite dishes. One recipe at a time, Rika carefully pieces together Kajii’s story in hopes of writing an exclusive story that will propel her career to new heights.

That’s what happens, but that’s not what this book is about. This book is an exploration of societal expectations, especially on women, and how those expectations inform the thinking and actions of those women, and in turn, everyone around them – and society itself.

Japanese women are required to be self-denying, hard-working and ascetic, and in the same breath to be feminine, soft and caring towards men.

It’s about judgment and comparison in all the major categories – weight & body, gender roles in relationships & the home, careers or the sacrifice of career in favor of family – and little ones too. Food is used as metaphor again and again as Rika explores new dishes and makes observations of herself and those around her. Simple ingredients, tedious preparations, presentation. Enjoying food in the first place as opposed to simply consuming it as a means to an end.

Speaking of the food: I have never read descriptions of food and eating it as I have in this book. I mean, pornographic levels of description. It’s incredible. I feel like I’ve been eating wrong my whole life after reading about how these characters care about food. I think that alone is enough to recommend this book. It is poetry, truly.

“I feel like I understand better now that I’ve started cooking myself. Cleaning and cooking are much more rock and roll than I thought. What you need above all is strength. A fighting spirit that can withstand the tedium of everyday life without being blunted by it.”

This novel is carefully crafted to take Rika on a journey of self-actualization, learning lessons that are important for us all through her strange relationship with a disturbed woman. What is real? What are her biases? Can she be trusted?

I really enjoyed the experience of reading this novel. With translated works it can be difficult to tell if the cadence comes from the author, the one translating, or both, but whatever the case, Butter is as decadent in its style as it is in its descriptions of food. It flows well and doesn’t feel detached or stilted the way some translated works can. It was a pleasure to read, and easy to get lost in.

I found myself craving a stronger sense of suspense and tension as I read. With a serial killer premise, I did hope for some kind of thriller vibe, but if it was there, it was quite subtle. However, I cannot fault the tagline either. This novel is about food and murder.

I would recommend this book for feminists and foodies alike. Also, this is apparently based on the true story of “The Konkatsu Killer”. I’m not sure how I feel about that. I think I’m going to have to do some googling…

Details

Title:: Butter: A Novel of Food & Murder
Author:: Asako Yuzuki
Genre:: Contemporary Fiction
Publisher:: Ecco
Length:: 464 pages
Audio Length:: 17h 12m
Audiobook Narrator:: Hanako Footman
Audiobook Publisher:: Harper Audio
Published:: April 16, 2024
The Litertarian Rating:: 4-Stars

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If you liked this book, check out…

The Midnight Feast | Lucy Foley
The Last Love Note | Emma Grey

Book Review:: Malibu Rising | Taylor Jenkins Reid

Family is the most complex thing there is. The history. The responsibility. The everyday choices and the ones that come once in a lifetime. The mirrored features and gestures. The shared experience, or absence from them. All of these things cumulate into how we experience family. What are the expectations of being a parent, or a sibling, and what happens when those expectations aren’t met? Are blood ties enough to support relationships, no matter what? And what of marriage vows? Trust, betrayal, forgiveness? What do we owe those we’ve made promises to, and who created us?

I’m probably taking things too far here for an introduction, but Malibu Rising is a phenomenal work of literary fiction that had these very questions running through my head. It is an exploration of family in many forms, and an intriguing family saga that hooked me from page one and still hasn’t let go.

Malibu Rising Taylor Jenkins Reid Book Cover

The Riva family has been through a lot. Four siblings, bonded by love through hardship, are now on their way into adulthood. They have two things in common – their famous deadbeat father, and their deep love of surfing. Jay is a professional surfer, Hudson is the photographer who captures all his best shots, Nina is the older sister who got famous modeling on her surfboard, and Kit, the baby, might just be better than any of them at the sport. Every year they throw a party to close out the summer. Anyone who finds out about it can come. Celebrities of all shapes and flavors don’t dare miss it. It’s the talk of the town. But this year the party will leave the siblings changed forever.

Life is messy. In great novels, the mess happens all at the same time in a slow but relentless crescendo that keeps us riveted until the cacophonous finale. Each of the Riva siblings is at a crisis point in their lives, and we’re taken through their family origin story to help us understand how they got to this moment, and why they might be making the choices they make. One sibling is deeply in love with someone he’s not supposed to be, one is falling out of love, one thinks he’s found the one after a single night, and one is having doubts she has the capacity for romantic love at all. Their parents, Mick and June, had an explosive type of love that led to heartbreak when they were both unable to break the patterns of the families before them, leaving wounds and wreckage in a blazing trail behind them.

Taylor Jenkins Reid continues to astound me with her capacity for storytelling. I mean, the details she includes are just incredible. Her omniscient tendency allows her to showcase happenstance from all the interesting angles and explore human nature in all its nonsensical and sometimes beautiful inevitabilities.

I think I loved every single aspect of this story. The experience of reading was a pleasure in itself. Every sentence was interesting. Every facet of each character the author chose to showcase…so interesting. As in, it literally captured my interest. It kind of reminds me of the character of Vida Winter in The Thirteenth Tale by Diane Setterfield, the disillusioned storyteller who isn’t interested in anything that doesn’t serve a story. Like the storyteller in Margaret Atwood’s The Blind Assassin. Crafting story is simple. Just make it interesting. This is how I imagine Taylor Jenkins Reid as she’s sifting through ideas for her stories. She’s on a higher plane of storytelling. She’s a weaver. She’s a curator. She’s a master.

This is the kind of story that begs to be appreciated. It’s not one thing that makes it stand out. It’s all of it together as one thing. One awesome, specific, thing. I hope you read it. But if you don’t like it, don’t tell me. I don’t think I could take it.

Details

Title:: Malibu Rising
Author:: Taylor Jenkins Reid
Genre:: Contemporary Fiction
Publisher:: Ballantine Books
Length:: 369 pages
Audio Length:: 11h 5m
Audiobook Narrator:: Julia Whelan
Audiobook Publisher:: Random House Audio
Published:: June 1st, 2021
The Litertarian Rating:: 5-Stars

Linky Links!!

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Author Website
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If you liked this book, check out…

The Most Fun We Ever Had | Claire Lombardo
Summertime Punchline | Betty Corrello

Book Review:: How to Hide in Plain Sight | Emma Noyes

How to Hide in Plain Sight is a powerful story about a young woman’s struggle to come to terms with her mental illness, her family, and the boy she once ran far away from to save him from herself. OCD is a disorder of obsession. It’s not always something you can see – endlessly washing your hands, locking locks, or counting things – but patterns of thinking. Often invisible. Constant. Torturous. This novel brings thoughtful clarity to a disorder that can be largely misunderstood, filtering it through the lens of a young woman plagued by her endless Worries.

How To Hide in Plain Sight Emma Noyes Book Cover

Eliot is the youngest of her large, ungodly rich, family. Her oldest brother is thirty years older than her, and she often felt like the odd man out. Henry, on the other hand, was her Irish twin, only a year older than her, and they were inseparable – until he died. His death sent a shockwave through their family, and left Eliot even more disconnected than ever before. Not long after, she developed obsessive compulsive disorder which manifested in intrusive thought patterns she could not escape from. The story begins with Eliot returning to the family’s private island at Lake Huron for her brother’s wedding. She hasn’t seen and has barely spoken to any of them for the three years she’s been off in New York, developing routines to keep her Worries at bay. She’s terrified to see them again, afraid that they’ll trigger the Worries. She was prepared to see them, she had a spiel to placate them and everything, mostly the truth, and then she sees Manual, her childhood best friend – another someone she pushed away three years ago and hadn’t spoken to since.

This book is incredible. The kind of book I know I’ll be thinking about for years to come. It is a stunning representation of what OCD might look like for someone who manifests the disorder mostly through thoughts, trapped in their own brain by thought spirals Emma Noyes illustrates in a way that makes perfect sense. The author herself has the same disorder and wanted to write a story that captured her experience.

Eliot is constantly caught up in her thoughts, which are mostly horrifying, terrible, and untrue, but outside of that struggle, life is happening around her. I thought making her the youngest child of a family with children spaced out so much was another unique aspect of humanity to include. How strange it must be to have siblings you never lived in the same home with because they were grown adults, even married, by the time you were born. Eliot has many thoughts about that dynamic, and her voice is so strong and the prose so beautiful that I found myself highlighting passages everywhere.

Manny and Eliot were the kind of best friends everyone dreams of having. Bosom buddies, practically siblings. She latched onto him in the absence of Henry, and so did her mother Wendy, allowing him to sleep over and come on vacations with them when the other siblings never had that option with their friends. His own parents were distant and often absent, and it worked for them. They know each other better than any other souls on Earth. He even knows her Worries. Through the narrative, we’re shown snapshots of their relationship through the years, right up until the moment she makes her decision to leave everything she’s known behind and strike out to New York alone.

I liked Manual. He didn’t coddle her. He showed anger and frustration when he wasn’t heard or given a chance, which felt authentic to the kind of relationship they had. A shorthand sort of connection, where they didn’t always have to say things out loud to understand one another. He always told her to never lie to him about her disorder – a true friend. He’s wonderful, and their relationship was handled so well and with great care by the author.

By the end, I was in tears. Realizations Eliot had, the long-overdue conversations, and the things she allowed herself to feel…it was a beautiful ending to a tension ridden story that was so skillfully and wonderfully written. I was lucky enough to receive this book as an advanced reader’s copy from Netgalley & the publisher, but I’ve also preordered a paperback copy. I already know this is going to become a well-weathered volume in my home library. Please read it.

Details

Title:: How to Hide in Plain Sight
Author:: Emma Noyes
Genre:: Literary Fiction/Romance
Publisher:: Berkley
Length:: 400 pages
Audio Length:: 10h 16m
Audiobook Narrator:: Emily Stewart
Audiobook Publisher:: Penguin Audio
Published:: September 10th, 2024
The Litertarian Rating:: 5-Stars

Linky Links!!

Goodreads
Author Website
Amazon Affiliate Links
[Paperback] [eBook] [Audible]

If you liked this book, check out…

The Most Fun We Ever Had | Claire Lombardo
Summertime Punchline | Betty Corrello

Book Review:: The Borrowed Life of Frederick Fife | Anna Johnston

Grief is one of the most universal constants of life. It is the opposite of love. The absence of anyplace to emote the love you feel, and it comes in many forms. Death. Abandonment. Betrayal. Lost opportunities. Failure. Illness. We all have to find ways to cope when grief finds us. We must keep hope alive – it is what allows us to carry on. The Borrowed Life of Frederick Fife resounds throughout all the hollows of grief, touches all the raw and jagged edges of it, and teaches us to celebrate the opportunities still ahead of us through an unlikely hero with a heart of gold.

The Borrowed Life of Frederick Fife Anna Johnston Book Cover

Frederick Fife isn’t having the best day. After stretching his pennies as far as they can go, his landlord finally kicks him out. Unsure of what to do next, or where to go, Fred takes a stroll in the park and stumbles across the only person who might be having a worse day than him: his doppelgänger, a man who died peacefully in his wheelchair by the river on a nursing home outing. Frederick and his hero’s heart tries to help get the man back to his group when they both slide down into the river. At 82 years old, Fred’s body isn’t what it used to be, and he is unable to recover the body. Just as it floats around the bend (with Frederick’s dropped wallet), the nursing staff find Fred and mistake him for Bernard, the dead man. Bernard was in the early stages of dementia and was often confused, and as it happens, his carer that day is overwhelmed with her own personal issues and is only half listening. Frederick tries several times to set the record straight, but no one believes him. Turns out, Bernard had a pretty nice situation at the nursing home, and the warm bed and hot meals are impossible to ignore for a man like Frederick, who would otherwise still be in that park, sleeping on a bench. When he overhears Bernard has no visitors or family left, Fred stops struggling so hard to be understood. Perhaps the strange twist of fate is some kind of cosmic gift from Dawn, his late wife. Who is it hurting? Maybe it would be okay to borrow Bernard’s life for awhile. After all, he’s not using it!

This book does an incredible job of balancing humor with the intrinsically soul crushing themes of grief in all its holographic colors. Somehow, through all of the darkness, the story never feels unbearably heavy. Though it made me cry, they were the good kind of tears, brought on by the deepest empathetic connection to the characters during the epic finale.

Frederick is a gregarious guy. He’s had a long life and has learned many tough lessons. This new life in the nursing home is his big second wind. Suddenly, he’s not so lonely. He finds himself able to help the people around him in the simplest of ways. Conversations. Shared meals. Forgotten letters sent. He is a good and patient man. He is the embodiment of forgiveness and understanding. He is the medicine many of his cohorts are in need of, and they are the same for him.

Speaking of which, the cast of characters at the nursing home is quirky and endearing, and their antics help color the narrative with playfulness and heart. Not all of them are bubbly and positive in the monotony of assisted living, but together they brighten the setting and make it a wholesome place to spend 300 pages.

If you can’t tell already, I greatly enjoyed this novel. It made the topic of grief feel approachable. I’m still astonished at how many facets of the concept were explored, and while none of it felt glossed over, it also never felt overwhelming. What an accomplishment!

Details

Title:: The Borrowed Life of Frederick Fife
Author:: Anna Johnston
Genre:: General Fiction (Adult)/Humor & Satire
Publisher:: William Morrow
Length:: 336 pages
Audio Length:: 10h 49m
Audiobook Narrator:: Tim Carroll
Audiobook Publisher:: Harper Audio
Published:: September 10th, 2024
The Litertarian Rating:: 5-Stars

Linky Links!!

Goodreads
Author Website
Amazon Affiliate Links
[Paperback] [eBook] [Audible]

If you liked this book, check out…

The Most Fun We Ever Had | Claire Lombardo
The Last Love Note | Emma Grey
Maybe Next Time | Cesca Major

Book Review:: Amazing Grace Adams | Fran Littlewood

Have you ever had a bad day? Bad week really. Months, even. Or a decade, if we’re being honest. Grace has. And she’s kept it together, mostly, through most of it. But you can only hold together for so long once your vessel is cracked and leaking and you refuse to acknowledge it.

Amazing Grace Adams, Fran Littlewood, Book Cover, Book Review

Grace Adams is a mess. A perimenopausal, hot-flashy mess, stuck in a traffic jam that is preventing her from reaching her estranged daughter’s birthday party. Everything has gone wrong lately. Everything. And just maybe if Grace can deliver the custom inside-joke birthday cake she had made to the party she was never invited to, her daughter would forgive her. Her ex-husband might forgive her. Everything might take a step back in the right direction. But she can’t get there if she’s stuck in the misery of traffic until it’s over. So, as a hail-Mary last-ditch effort, she opens the door of her car and walks away from it. Right there, in the middle of traffic, and foots it the rest of the way to the bakery. This is only the first of many questionable decisions Grace makes that day.

The genius of this story is in the revelations. While the present Grace is on a frantic quest to fix everything she thinks she’s broken in one desperate grand gesture, we’re traced back through the steps that led her to such a desperate moment. The magical meeting of her eventual husband at a linguistics conference, their unconventional courtship and marriage, the family dramas they’re forced to navigate, the trials of new parentship, partnership, and beyond. Each petal is pulled back and back and back until we get to the real hurts that Grace and her family are struggling with. And they’re big ones. Heart shattering. I sobbed for…a long time…as I read through the last chapters. Right there on the couch, while my family watched TV. This book is devastating and beautiful and the writing is so lovely and clever. Here are some of the quotes I underlined:

A message that has made him fizz inside with what? Laughter?

She has doughy skin that makes her look like one of the pastries she’s selling.

Amazing Grace Adams Uncensored Book Cover, Fran Littlewood, Book Review
The uncensored cover.

They stand without speaking until the woman has moved past. As if in tacit agreement that their conversation is private, a secret between them.

If she could, she would walk out of any room that she was in.

Grace is hugging her knees to her chest and listening to the hypnotic suck and pull of the filter system.

This is a great book, and it was a pleasure to read. Fran Littlewood has delivered a story that is witty, passionate, and a little bit manic. It explores depths of love and forgiveness and grief that won’t soon be forgotten. I love all of it. The title, the cover, and the gift that is the prose.

I would recommend this book to women around Grace’s age. A woman who’s seen it all. Marriage, children, the chaos of it all, and the monotony of it too. The routine. The staleness. That, I think, is the audience who will get the most out of it. Who will understand her. But of course any fan of literary fiction might enjoy it. It’ll probably make you cry, so try not to go into it with a fragile heart.

Details

Title:: Amazing Grace Adams
Author:: Fran Littlewood
Genre:: Literary Fiction
Publisher:: Henry Holt & Co.
Length:: 272 pages
Audio Length:: 9h 51m
Audiobook Narrator:: Claire Skinner
Audiobook Publisher:: Macmillan Audio
Published:: September 5th, 2023
The Litertarian Rating:: 5-Stars
Spice Rating:: 1 (brief, not explicit)

Linky Links!!

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More Books from Henry Holt & Co.
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If you liked this, check out…

The Most Fun We Ever Had | Claire Lombardo
The Last Love Note | Emma Grey

Book Review:: The Most Fun We Ever Had | Claire Lombardo

This isn’t a book you read for entertainment. This is the type of book you read to remind yourself what it is to be human. To connect on another level to humanity itself. To recognize little pieces of yourself in the stories of others: the bright pieces, and the dark ones too. It teaches you things you don’t even realize you’re learning. It’s not a surface level book – it reaches deep parts of you that are often forgotten or neglected. It’s a revelation.

The Most Fun We Ever Had Claire Lombardo Book Cover

The tangled web of emotional turmoil within the Sorenson family is taut with tension. The steadfast love between Marilyn and David produced four beautiful daughters who are grown now and living their own lives. Wendy, the girl who was always too much as a child grew into a woman all too acquainted with grief. Violet, the good girl, has a picture-perfect life complete with two point five kids and a loving husband. Liza, the third child often forgotten in the chaos of her two older sisters, is still struggling to find purpose. And Grace, the baby, is being crushed by great expectations pressured by the weight of the family who all came before her. But when a fifteen-year-old secret walks back into their lives, the effects ripple through them all, bringing many old hurts and hidden feelings to a much-needed reckoning.

Lives are shaped by the butterfly effect. One little moment leads to the next, leads to the next. On and on we go. An overheard and misunderstood conversation can plant the seed that sets roots of anxiety and doubt deep in the psyche of a young girl. An avoided occasion can set long-burning embers of animosity to light that sizzle and pop for decades. Actions have consequences, and they won’t always be the ones you expect to confront.

The narrative is presented in a constant flow of the now and the before, exploring family experiences from multiple sides, because when things happen in a family, it isn’t only about one person. Everything affects everyone, to different degrees. Not only did I find it engaging all the way through, by the time we arrived at certain landmarks in the family history, I found myself simultaneously surprised and satisfied. We’re given so much context to understand the complex feelings between the family members. It feels real. It feels like the Sorenson’s are out there somewhere, having lived these lives we get to read about.

I don’t even know how you write a book this bold and beautiful. The complexity that is the Sorenson family is at once romantic and heartbreaking and tender and sometimes so cliche in a way that is simply human nature. Children are born with personalities, and they will cause tension and conflict and love and joy too. This family isn’t broken, but it isn’t perfect either. They are bound by love, in both the best and worst ways, and Lombardo highlights them both with skilled artistry.

I loved this book in the most surprising way, and I will cherish this experience of reading it for the first time as long as I can, because I know it won’t be the last.

Details

Title:: The Most Fun We Ever Had
Author:: Claire Lombardo
Genre:: Literary Fiction
Publisher:: Doubleday
Length:: 532 pages
Audio Length:: 20h 33m
Audiobook Narrator:: Emily Rankin
Audiobook Publisher:: Random House Audio
Published:: June 25th, 2019
The Litertarian Rating:: 5-Stars

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Goodreads
Author Website
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[Hardcover] [Paperback] [eBook] [Audible]

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Book Review:: We’ll Prescribe You A Cat | Syou Ishida

Cats are the heroes of the internet. They bring smiles to even the grouchiest faces. But what happens when you go to someone for psychiatric help, and they send you home with one as treatment?!

We'll Prescribe You A Cat Syou Ishida Book Cover

Shuta is a timid corporate drone in Kyoto with low mental health. Nothing has seemed to work for him, and when he hears of a unique clinic through the grapevine, he decides to give it one last chance. He is miserable at his job, and after a desperate plea to be seen right away, the doctor prescribes him a cat to look after. Shuta is stunned, and takes the carrier filled with a cat named Bee and a large bag of supplies home with him in a stupor of shock, wondering how in the world he ended up here.

This is the first of four parables in this book about the mysterious Nakagyo Kokoro Clinic for the Soul. Those in need of healing find themselves drawn in by the clinic by word of mouth and leave with a new feline companion. In each case, the cat draws attention to a true cause of turbulence in their life (whether they realized what it was beforehand or not), harking to a whole-istic type of medicine. Heal the soul, the rest will follow.

As the book progresses, an element of magical realism begins to seep through until it culminates in a resolution in the last chapter. I was happy to learn more about the elusive clinic-it is the string that runs through what would otherwise simply be a book of short stories.

We’ll Prescribe You a Cat has been translated by E. Madison Shimoda from the original Japanese. Something about the style makes everything feel a little bit exaggerated. The situations, the internal monologue of the characters, and even the dialogue. It feels like a cultural difference compared to more western-style novels, and it was refreshing to read, in a way. While there were plenty of details, it felt more descriptive than immersive for me.

This book is a charming reminder that humans need connection. Opening the door to new experiences will usually lead to new opportunities that would have otherwise passed you by. Sometimes the simple act of caring for another living creature is enough to bring us out of our own issues enough to make a meaningful difference. If nothing else, the cats in this book will make you smile.

Thank you to NetGalley & Berkley for sending me an ARC copy of this novel for free in exchange for an honest review.

Details

Title:: We’ll Prescribe You A Cat
Author:: Syou Ishida, translated by E. Madison Shimoda
Genre:: Literary Fiction
Publisher:: Berkley
Length:: 304 pages
Audio Length:: 7h 8m
Audiobook Narrator:: Naruto Komatsu & Natsumi Kuroda
Audiobook Publisher:: Penguin Audio
Published:: September 3rd, 2024
The Litertarian Rating:: 4-Stars

Linky Links!!

Goodreads
Amazon Affiliate Links
[Hardcover] [eBook] [Audible]

If you liked this book, check out…

My (Not So) Perfect Life | Sophie Kinsella
Amazing Grace Adams | Fran Littlewood